

Grammar


Tenses


Present

Present Simple

Present Continuous

Present Perfect

Present Perfect Continuous


Past

Past Simple

Past Continuous

Past Perfect

Past Perfect Continuous


Future

Future Simple

Future Continuous

Future Perfect

Future Perfect Continuous


Parts Of Speech


Nouns

Countable and uncountable nouns

Verbal nouns

Singular and Plural nouns

Proper nouns

Nouns gender

Nouns definition

Concrete nouns

Abstract nouns

Common nouns

Collective nouns

Definition Of Nouns

Animate and Inanimate nouns

Nouns


Verbs

Stative and dynamic verbs

Finite and nonfinite verbs

To be verbs

Transitive and intransitive verbs

Auxiliary verbs

Modal verbs

Regular and irregular verbs

Action verbs

Verbs


Adverbs

Relative adverbs

Interrogative adverbs

Adverbs of time

Adverbs of place

Adverbs of reason

Adverbs of quantity

Adverbs of manner

Adverbs of frequency

Adverbs of affirmation

Adverbs


Adjectives

Quantitative adjective

Proper adjective

Possessive adjective

Numeral adjective

Interrogative adjective

Distributive adjective

Descriptive adjective

Demonstrative adjective


Pronouns

Subject pronoun

Relative pronoun

Reflexive pronoun

Reciprocal pronoun

Possessive pronoun

Personal pronoun

Interrogative pronoun

Indefinite pronoun

Emphatic pronoun

Distributive pronoun

Demonstrative pronoun

Pronouns


Pre Position


Preposition by function

Time preposition

Reason preposition

Possession preposition

Place preposition

Phrases preposition

Origin preposition

Measure preposition

Direction preposition

Contrast preposition

Agent preposition


Preposition by construction

Simple preposition

Phrase preposition

Double preposition

Compound preposition

prepositions


Conjunctions

Subordinating conjunction

Correlative conjunction

Coordinating conjunction

Conjunctive adverbs

conjunctions


Interjections

Express calling interjection

Phrases

Sentences


Grammar Rules

Passive and Active

Preference

Requests and offers

wishes

Be used to

Some and any

Could have done

Describing people

Giving advices

Possession

Comparative and superlative

Giving Reason

Making Suggestions

Apologizing

Forming questions

Since and for

Directions

Obligation

Adverbials

invitation

Articles

Imaginary condition

Zero conditional

First conditional

Second conditional

Third conditional

Reported speech

Demonstratives

Determiners


Linguistics

Phonetics

Phonology

Linguistics fields

Syntax

Morphology

Semantics

pragmatics

History

Writing

Grammar

Phonetics and Phonology

Semiotics


Reading Comprehension

Elementary

Intermediate

Advanced


Teaching Methods

Teaching Strategies

Assessment
Stress and Intonation SUMMARY
المؤلف:
Mehmet Yavas̡
المصدر:
Applied English Phonology
الجزء والصفحة:
P178-C7
2025-03-17
659
Stress and Intonation SUMMARY
We looked at some basic patterns in English stress and intonation. Although English stress is variable and mobile, there appear to be some significant generalizations about its predictability. The so-called ‘front weight’, i.e. stressing the penultimate syllable, seems to be the norm in disyllabic nouns and adjectives (over 80 percent of cases). In nouns and adjectives of three or more syllables, the focus still remains on the penult. However, if the penult contains fewer than two timing units, then the stress falls on the next left syllable that has two timing units. For verbs (regardless of the number of syllables) the stress focus is the ult. However, if the ult has fewer than two timing units, then the stress falls on the next left syllable that has two timing units. In complex forms, affixes have varying effects on stress; some attract stress to themselves, some cause stress to shift, while the third group is neutral to stress. In longer words, it is also common to find a lightly stressed (secondary stressed) syllable. Such syllables are prominent, like the main stressed syllables, without an effect of major pitch change, and their existence is in large part predictable.
We also considered intonation, which is pitch variation over a phrase or a sentence. We noted that the arrangements of tone groups or intonational phrases have a lot to do with what the intentions of the speaker are, and can vary accordingly. At the same time, however, we stated certain general principles regarding different intonation patterns. Falling intonation patterns (including rising–falling) are assertive and conclusive, and the degree of finality varies with the degree of the fall (i.e. a sharper, fuller fall indicates a greater degree). On the other hand, rising contours (including falling–rising) are continuative and non-definitive. Finally, we looked at some significant differences between stress patterns in American English and British English, as well as intonational variations among different varieties of English.
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