

Grammar


Tenses


Present

Present Simple

Present Continuous

Present Perfect

Present Perfect Continuous


Past

Past Simple

Past Continuous

Past Perfect

Past Perfect Continuous


Future

Future Simple

Future Continuous

Future Perfect

Future Perfect Continuous


Parts Of Speech


Nouns

Countable and uncountable nouns

Verbal nouns

Singular and Plural nouns

Proper nouns

Nouns gender

Nouns definition

Concrete nouns

Abstract nouns

Common nouns

Collective nouns

Definition Of Nouns

Animate and Inanimate nouns

Nouns


Verbs

Stative and dynamic verbs

Finite and nonfinite verbs

To be verbs

Transitive and intransitive verbs

Auxiliary verbs

Modal verbs

Regular and irregular verbs

Action verbs

Verbs


Adverbs

Relative adverbs

Interrogative adverbs

Adverbs of time

Adverbs of place

Adverbs of reason

Adverbs of quantity

Adverbs of manner

Adverbs of frequency

Adverbs of affirmation

Adverbs


Adjectives

Quantitative adjective

Proper adjective

Possessive adjective

Numeral adjective

Interrogative adjective

Distributive adjective

Descriptive adjective

Demonstrative adjective


Pronouns

Subject pronoun

Relative pronoun

Reflexive pronoun

Reciprocal pronoun

Possessive pronoun

Personal pronoun

Interrogative pronoun

Indefinite pronoun

Emphatic pronoun

Distributive pronoun

Demonstrative pronoun

Pronouns


Pre Position


Preposition by function

Time preposition

Reason preposition

Possession preposition

Place preposition

Phrases preposition

Origin preposition

Measure preposition

Direction preposition

Contrast preposition

Agent preposition


Preposition by construction

Simple preposition

Phrase preposition

Double preposition

Compound preposition

prepositions


Conjunctions

Subordinating conjunction

Correlative conjunction

Coordinating conjunction

Conjunctive adverbs

conjunctions


Interjections

Express calling interjection

Phrases

Sentences

Clauses


Grammar Rules

Passive and Active

Preference

Requests and offers

wishes

Be used to

Some and any

Could have done

Describing people

Giving advices

Possession

Comparative and superlative

Giving Reason

Making Suggestions

Apologizing

Forming questions

Since and for

Directions

Obligation

Adverbials

invitation

Articles

Imaginary condition

Zero conditional

First conditional

Second conditional

Third conditional

Reported speech

Demonstratives

Determiners

Direct and Indirect speech


Linguistics

Phonetics

Phonology

Linguistics fields

Syntax

Morphology

Semantics

pragmatics

History

Writing

Grammar

Phonetics and Phonology

Semiotics


Reading Comprehension

Elementary

Intermediate

Advanced


Teaching Methods

Teaching Strategies

Assessment
Multiple blending
المؤلف:
Vyvyan Evans and Melanie Green
المصدر:
Cognitive Linguistics an Introduction
الجزء والصفحة:
C12-P431
2026-01-27
42
Multiple blending
While we have for the most part assumed that integration networks consist of four spaces (generic space, two input spaces and the blend), it is common, and indeed the norm, for blends to function as inputs for further blending and reblending. We illustrate this point in this brief section with a discussion of Fauconnier and Turner’s (2002) example of the GRIM REAPER blend.
The Grim Reaper
This is a highly conventional cultural blend, in which DEATH is personified as the GRIM REAPER. This blend derives from an integration network consisting of three inputs, one of which is itself a blend consisting of two prior inputs. The Grim Reaper, as depicted in iconography since medieval times, is represented as a hooded skeleton holding a scythe.
Consider the three inputs to the GRIM REAPER blend. These relate to three AGENTS: (1) a REAPER, who uses a scythe to cut down plants; (2) a KILLER, who murders a victim; and (3) DEATH, which brings about the death of an individual. Observe that the third AGENT is non-human: DEATH is an abstract AGENT. In other words, DEATH-AS-AGENT is itself a metaphoric blend, in which DEATH and AGENCY (human animacy and volition) have been blended, giving rise to the personification of death. In the GRIM REAPER blend, the AGENT is DEATH and this agent causes death by KILLING. The manner of killing is REAPING (the use of the scythe). The reaper is GRIM because death is the outcome of his reaping. This complex blend is illustrated in Figure 12.13.
Observe that the physical appearance of the Grim Reaper metonymically represents each of the three main inputs to the blend. The skeleton stands for DEATH, which is the outcome; the hood that hides the reaper’s face represents the concealment that often characterises KILLERS; and the scythe stands for the manner of killing, deriving from the REAPER input. Finally, the Grim Reaper emerges from the blend rather than from any of the input spaces.
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(نوافذ).. إصدار أدبي يوثق القصص الفائزة في مسابقة الإمام العسكري (عليه السلام)